In Appalachia, Audio, Current Projects, Fayette County, Paint Creek on October 10, 2014 at 11:32 am
Excited to present the first rough cut of the first piece of The Paint Creek Audio History Tour–a collection of tales about a storied place called Paint Creek, WV, from the voices of people who live along its banks. The history tour will be available via a GPS-activated mobile app and a website, coming in summer of 2015. The project is supported by the WV Humanities Council and the National Coal Heritage Area Authority.
In this segment, Pax native Howard Hughes–one of the founders and leaders of the Paint Creek Scenic Trails Association–tells of the bane of his youthful existence. Howard’s great-great grandfather, a surveyor, founded Pax. Howard’s grandfather was an accomplished stone mason who built many beautiful structures still standing today. His father was a hard-working coal miner who helped fuel American industry during WWII. And Howard, well, Howard built something too.
Produced by Catherine Moore & Jessie Wright-Mendoza. Edited by Catherine Moore.
In Appalachia, Audio, coal on October 10, 2014 at 11:27 am
I recently produced a short radio doc about the human impacts of coal layoffs in Boone County for WV Public Radio, as part of my work as an Appalachian Transition Fellow working with What’s Next, WV?
Boone County, WV, has lost more coal mining jobs than any other county in the nation, according to a recent analysis by SNL Financial–that’s a fifth of the county’s total labor force. Reporter Catherine Moore went in search for the human side of these staggering figures at the WV Coal Festival, held every year at the end of June in Madison. She talked to residents about how the layoffs are affecting everyday life in Boone County, and how they’re thinking about the future of their home.
In Appalachia, Audio, Black History, Cedar Grove, coal, Mary Lee Settle, Multimedia, Print, West Virginia History, Women's History on October 10, 2014 at 11:23 am
“O Beulah Land,” my wandering longform essay about writer Mary Lee Settle, the women of Cedar Grove, and Appalachian transition, was published in the summer issue of Oxford American: The Southern Magazine of Good Writing. Here’s their introduction to the piece:
There are many gorgeous passages in “O Beulah Land” by Catherine Venable Moore, an homage to Central West Virginia published in our summer issue.
Struggling to reconcile a landscape of paradisiacal beauty with its history of unheeded extraction since settlers arrived, Catherine—with the works of Mary Lee Settle as her guide—goes to Cedar Grove, that writer’s small hometown on the Kanawha River. She writes:
“Like Mary Lee, I went to the town digging for some present truth in the past, and knocked on the doors of ten women, up to a century old, who agreed to talk about their lives in Cedar Grove. All of them pay their hearts to the town in some way or another, filling their lives with service to a place where community ties are being severed by a fading industry that once drew its people close in solidarity. These women are and were the societal glue of Cedar Grove, the storytellers, the visionaries, the caretakers, and the advocates for the powerless. I asked them about home. I needed to know how we got here, and how we get out of wherever “here” is, without having to leave.”
The essay is a remarkable, holistic dive into the Transmontane of West Virginia, the land beyond the mountains—one of the first American frontiers and still a misunderstood region. “Recorded history is wrong because the voiceless have no voice in it,” said Settle, explaining the motivations behind her sweeping historical fictions. In “O Beulah Land,” Catherine takes up Settle’s mantle—the writer died in 2005 at eighty-three—reporting untold histories and interviewing women whose stories are essential to the identity of their homeplace yet seldom shared with a wide public. It’s an elegy for a lost time when “Everyone was a part of everything.”
They also published a companion web-only piece–an audio teaser to my forthcoming hour-long radio documentary and some photographs of Cedar Grove by my pal, the photographer Roger May.