Catherine Venable Moore — Writer & Producer

Random House

In Announcements, Appalachia, coal, Economic Transition, Mine Wars, Nonfiction, Print, West Virginia History, Women's History on October 3, 2017 at 3:21 pm

In September 2017, I sold two nonfiction books to my dream editor, Kate Medina, at Random House. One is a book about the history and legacy of the Battle of Blair Mountain; the other is an essay collection. Here’s the announcement from Publishers Marketplace:

University of Montana MFA graduate, Best American Essays 2017 writer and producer of public radio documentaries Catherine Venable Moore’s two works of narrative non-fiction set in Appalachia, exploring events in the past of America and of that region, from the violent West Virginia Mine Wars and the Battle of Blair Mountain in 1921, up to the politics of today, to Kate Medina at Random House, in a pre-empt, by Meredith Kaffel Simonoff at DeFiore and Company (World English). UK rights: decronin@penguinrandomhouse.com . Translation: linda@defliterary.com.

Glamour

In Appalachia, coal, Economic Transition, Nonfiction, Print, Uncategorized, Women's History on August 31, 2018 at 6:18 pm

I wrote a short piece for Glamour magazine’s September issue, published alongside the voices of women in Arizona, Missouri, Pennsylvania, and Florida, speaking about the issues that will decide their vote ahead of the 2018 midterm elections. “I’m a Woman in a Battleground State. Here’s What Politicians Don’t Understand About Me.” For the record: I don’t hate the city where I started my Ph.D. That was an error introduced in the editing process, over which I had little control. 😉

Two Reviews

In Announcements, Appalachia, Black History, Fayette County, Nonfiction, Photography, Poetry, Print, West Virginia History, Women's History on June 5, 2018 at 9:22 am

Two review-essays prompted by WVU Press’s recent reprint of Muriel Rukeyser’s 1938 poem cycle, The Book of the Deadto which I wrote the introduction…

Los Angeles Review of Books, I Wake Up Choking,” by Maggie Messitt:

The Book of the Dead is a story about race. It’s about industry. It’s about being held accountable and the right to a safe workplace. But, to me — like so many Great Depression narratives — it’s about wealth and power and the ways in which that has trumped humanity and justice across time.

The Paris Review, Muriel Rukeyser, Mother of Everyone” by Sam Huber:

We often lament our porosity to the world’s data as a uniquely contemporary curse. Rukeyser imagines it instead as a capacity we might cultivate, no easier for having been attempted before by others like her, from whom we are lucky to learn, and by many more who will not be preserved or restored. So often in her poems, Rukeyser is both student and teacher.