Whiting Nonfiction Grant

My book-in-progress, Disunion: West Virginia Coal Miners and America’s Other Civil War, was selected for a 2021 Whiting Creative Nonfiction Grant, given yearly to eight writers completing books of “deeply researched and imaginatively composed nonfiction.” fWhiting curated a chapbook with excerpts and descriptions of each of the winners’ projects, which include a history of policing in Oakland, CA; a collection of interwoven diaries from Nazi-occupied Netherlands; a biography of the mother of modern Black nationalism; and an argument for the decriminalization of sex work.

Tagged , , , ,

Best and Most Bizarre

A selection of first-person testimonies from On Dark and Bloody Ground was included in the “Readings” column of Harper’s, where the magazine reprints “excerpts from the best and most bizarre new books.”

Tagged , , , , , ,

Public Scholar Award

This year I was awarded a grant from the Public Scholars program of the National Endowment for the Humanities, which supports the creation of well-researched nonfiction books in the humanities, written for the broad public by authors without academic affiliation. I’ll use the funds to finish researching and writing my book-in-progress, a narrative history of the West Virginia Mine Wars.

On Dark and Bloody Ground

Now for sale from West Virginia University Press! This set of oral histories from 1972 circulated for many years as an informal typescript volume, acquiring an almost legendary status among those intrigued by the subject. Key selections appear here for the first time as a published book, supplemented with introductory material, maps, educational resources, and photographs. Published to coincide with the celebration of the Blair Mountain Centennial in 2021, the book includes a preface by me and an afterword by Cecil E. Roberts of the United Mine Workers of America. All proceeds benefit the West Virginia Mine Wars Museum.

Tagged , , , ,

Lucas Visiting Author

This April I’m stoked to serve as Lucas Visiting Author at Marietta College. I’ll be talking about nonfiction with creative writing classes and giving a public reading on Tuesday, April 7, at 5pm in the Legacy Library. “Heavy Appetizers” are promised. *HEAVY* In case that’s not enough, and I’m not sure why it wouldn’t be, I’ll be reading from my current project, a nonfiction book that examines the history and legacy of the Battle of Blair Mountain. – POSTPONED UNTIL SPRING 2021

Tagged , ,

Letter to America

The literary magazine Terrain is preparing to publish an anthology of writings in response to the current national crises—political, environmental, ethical. They’ve been publishing a series of “Letters to America” ever since the 2016 election. These “letters” take various forms—epistles, poems, fables, even a bit of artwork—but they all respond to the changing American landscape so vividly illuminated by Donald Trump’s win. Writers, artists, intellectuals, activists—citizens of both the country and the planet—have, over the past two years, steadily contributed a variety of literary reactions to the world we all awoke to on the morning of November 9. I’m working on a letter for the anthology, which will sit in good company alongside writings by writer-heroes Robert Hass, Camille Dungy, and Bob Ferguson, the attorney general of Washington who is 17-0 against Trump in court.

UPDATE: “DEAR AMERICA: LETTERS OF HOPE, HABITAT, DEFIANCE, AND DEMOCRACY” NOW OUT

Tagged , ,

Greensboro Bound

I’m headed to the Greensboro Bound literary festival next week, where the novelist Wiley Cash and myself will talk about contemporary Appalachian voices, the representation and the role of writers/journalists as witnesses, and other fun stuff TBD. Musician Laurelyn Dossett will open. Cash’s novel The Last Ballad, is a fictionalized account of the life of Ella May Wiggins, a North Carolina textile worker who tried to unionize and was murdered in 1929.

Tagged , ,

Georgia Review

The writer Jessica Smith graciously reviewed The Book of the Deada new edition of Muriel Rukeyser’s famous poem cycle about the Hawk’s Nest Tunnel Disaster–for The Georgia Review:

Admirers of Muriel Rukeyser have been waiting for a reprint of The Book of the Dead, long out of print, and West Virginia University Press’s new edition does not disappoint. Of course, it’s exciting to have Rukeyser’s seminal hybrid poetic work of social justice in its own affordable softcover volume (with French flaps!), but the great surprise for fans and scholars of Rukeyser is Catherine Venable Moore’s extended introductory essay, which comprises the first half of this volume.

Read the full review…

WV Wesleyan Teaching

This winter I’m a visiting nonfiction writer at the low-residency MFA program in Creative Writing at West Virginia Wesleyan. Back in December, I had ten days in residency in Buckhannon, where I taught a workshop and gave a seminar called “Nonfiction for Poets.” The campus looked nothing like the photo above, because winter, but the feeling was like those orange lilies; it was such a warm, welcoming crowd to get to know. The whole experience leaves me grateful to have found this talented crew of writers so close by, and I’m pumped to keep working with my advisees for the rest of the semester. Check out the program’s podcast, where you can hear seminars and readings by other visiting writers.

Millay Colony

This October, I’ve been in residence at the Millay Colony in Austerlitz, NY, working on my book. Once the home of poet Edna St. Vincent Millay, it’s now a place for writers and artists to come for intense periods of work and wonder, punctuated by long wanderings through the meadows, hills, and forests of Steepletop, Millay’s gorgeous estate in the foothills of the Berkshires.

White with daisies and red with sorrel
   And empty, empty under the sky!—
Life is a quest and love a quarrel—
   Here is a place for me to lie.

(from “Weeds,” Edna St. Vincent Millay, 1921)