I’m headed to the Greensboro Bound literary festival next week, where the novelist Wiley Cash and myself will talk about contemporary Appalachian voices, the representation and the role of writers/journalists as witnesses, and other fun stuff TBD. Musician Laurelyn Dossett will open. Cash’s novel The Last Ballad, is a fictionalized account of the life of Ella May Wiggins, a North Carolina textile worker who tried to unionize and was murdered in 1929.
The writer Jessica Smith graciously reviewed The Book of the Dead—a new edition of Muriel Rukeyser’s famous poem cycle about the Hawk’s Nest Tunnel Disaster–for The Georgia Review:
Admirers of Muriel Rukeyser have been waiting for a reprint of The Book of the Dead, long out of print, and West Virginia University Press’s new edition does not disappoint. Of course, it’s exciting to have Rukeyser’s seminal hybrid poetic work of social justice in its own affordable softcover volume (with French flaps!), but the great surprise for fans and scholars of Rukeyser is Catherine Venable Moore’s extended introductory essay, which comprises the first half of this volume.
Two review-essays prompted by WVU Press’s recent reprint of Muriel Rukeyser’s 1938 poem cycle, The Book of the Dead, to which I wrote an introduction…
Los Angeles Review of Books, “I Wake Up Choking,” by Maggie Messitt:
The Book of the Dead is a story about race. It’s about industry. It’s about being held accountable and the right to a safe workplace. But, to me — like so many Great Depression narratives — it’s about wealth and power and the ways in which that has trumped humanity and justice across time.
The Paris Review, “Muriel Rukeyser, Mother of Everyone” by Sam Huber:
We often lament our porosity to the world’s data as a uniquely contemporary curse. Rukeyser imagines it instead as a capacity we might cultivate, no easier for having been attempted before by others like her, from whom we are lucky to learn, and by many more who will not be preserved or restored. So often in her poems, Rukeyser is both student and teacher.
In September 2017, I sold two nonfiction books to Random House. One of the books is about the history and legacy of the Battle of Blair Mountain; the other is an essay collection. Here’s the announcement from Publishers Marketplace:
University of Montana MFA graduate, Best American Essays 2017 writer and producer of public radio documentaries Catherine Venable Moore’s two works of narrative non-fiction set in Appalachia, exploring events in the past of America and of that region, from the violent West Virginia Mine Wars and the Battle of Blair Mountain in 1921, up to the politics of today, to Kate Medina at Random House, in a pre-empt, by Meredith Kaffel Simonoff at DeFiore and Company (World English). UK rights: firstname.lastname@example.org . Translation: email@example.com.
“Written in response to the Hawk’s Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia’s cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia.
Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.“ Read more at West Virginia University Press…