With an approaching book deadline, I haven’t been taking on too many freelance assignments, but this one was just too good to pass up. The literary magazine Terrain is preparing to publish an anthology of writings in response to the current national crises—political, environmental, ethical. They’ve been publishing a series of “Letters to America” ever since the 2016 election. These “letters” take various forms—epistles, poems, fables, even a bit of artwork—but they all respond to the changing American landscape so vividly illuminated by Donald Trump’s win. Writers, artists, intellectuals, activists—citizens of both the country and the planet—have, over the past two years, steadily contributed a variety of literary reactions to the world we all awoke to on the morning of November 9. I’m working on a letter for the anthology, which will sit in good company alongside writings by writer-heroes Robert Hass, Camille Dungy, and Bob Ferguson, the attorney general of Washington who is 17-0 against Trump in court.
I’m headed to the Greensboro Bound literary festival next week, where the novelist Wiley Cash and myself will talk about contemporary Appalachian voices, the representation and the role of writers/journalists as witnesses, and other fun stuff TBD. Musician Laurelyn Dossett will open. Cash’s novel The Last Ballad, is a fictionalized account of the life of Ella May Wiggins, a North Carolina textile worker who tried to unionize and was murdered in 1929.