Category Archives: Print

NEH Public Scholar Award

I’m honored to be the recipient of a 2021 National Endowment for the Humanities Public Scholar Award, which I will use to finish my current book project, a narrative history of the West Virginia Mine Wars. The Public Scholars program supports the creation of well-researched nonfiction books in the humanities written for the broad public. It’s intended for writers without an academic affiliation, like me. Yay, NEH! While I don’t work at a university, the West Virginia University Humanities Center has provided me with access to an academic research library during my writing process, literally making my book possible. The librarians at WVU have sent me dozens of books in the mail over the years, not to mention all the digital resources that appear at a keystroke. I hope that someday scholarly work is more freely available to the general public, but until then — thank you to the librarians, and the Humanities Center for the borrowing credentials!

On Dark and Bloody Ground

Now for sale from West Virginia University Press! This set of oral histories from 1972 circulated for many years as an informal typescript volume, acquiring an almost legendary status among those intrigued by the subject. Key selections appear here for the first time as a published book, supplemented with introductory material, maps, educational resources, and photographs. Published to coincide with the celebration of the Blair Mountain Centennial in 2021, the book includes a preface by me and an afterword by Cecil E. Roberts of the United Mine Workers of America. All proceeds benefit the West Virginia Mine Wars Museum.

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Out of the Fire

Next year, West Virginia University Press will publish a rare 1973 manuscript, On Dark and Bloody Ground: An Oral History of the West Virginia Mine Wars, by Anne Lawrence, with a Foreword by me and an Afterword by none other than Cecil E. Roberts, President of the United Mine Workers of America. I’m pretty excited to share this treasure with the world! It will include some excellent maps and a few photos as well. Not to mention that Anne has graciously offered to donate all proceeds to the West Virginia Mine Wars Museum, where we work to preserve the archives and testimony of local communities affected by these early 20th century battles for unionization in the Central Appalachian coalfields.

“The difference working in a non-union mine and a union mine was like jumping out of the fire into a cool stream of water. Before it was every dog eat dog. When you go into anything collectively, everybody is striving to do the same thing. That’s the only way you can have peace in the coal fields.” –Kelly Buchanan, retired UMWA miner from Matewan, WV

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Letter to America

The literary magazine Terrain is preparing to publish an anthology of writings in response to the current national crises—political, environmental, ethical. They’ve been publishing a series of “Letters to America” ever since the 2016 election. These “letters” take various forms—epistles, poems, fables, even a bit of artwork—but they all respond to the changing American landscape so vividly illuminated by Donald Trump’s win. Writers, artists, intellectuals, activists—citizens of both the country and the planet—have, over the past two years, steadily contributed a variety of literary reactions to the world we all awoke to on the morning of November 9. I’m working on a letter for the anthology, which will sit in good company alongside writings by writer-heroes Robert Hass, Camille Dungy, and Bob Ferguson, the attorney general of Washington who is 17-0 against Trump in court.

UPDATE: “DEAR AMERICA: LETTERS OF HOPE, HABITAT, DEFIANCE, AND DEMOCRACY” NOW OUT

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Greensboro Bound

I’m headed to the Greensboro Bound literary festival next week, where the novelist Wiley Cash and myself will talk about contemporary Appalachian voices, the representation and the role of writers/journalists as witnesses, and other fun stuff TBD. Musician Laurelyn Dossett will open. Cash’s novel The Last Ballad, is a fictionalized account of the life of Ella May Wiggins, a North Carolina textile worker who tried to unionize and was murdered in 1929.

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Georgia Review

The writer Jessica Smith graciously reviewed The Book of the Deada new edition of Muriel Rukeyser’s famous poem cycle about the Hawk’s Nest Tunnel Disaster–for The Georgia Review:

Admirers of Muriel Rukeyser have been waiting for a reprint of The Book of the Dead, long out of print, and West Virginia University Press’s new edition does not disappoint. Of course, it’s exciting to have Rukeyser’s seminal hybrid poetic work of social justice in its own affordable softcover volume (with French flaps!), but the great surprise for fans and scholars of Rukeyser is Catherine Venable Moore’s extended introductory essay, which comprises the first half of this volume.

Read the full review…

Glamour

I wrote a short piece for Glamour magazine’s September issue, published alongside the voices of women in Arizona, Missouri, Pennsylvania, and Florida, speaking about the issues that will decide their vote ahead of the 2018 midterm elections. “I’m a Woman in a Battleground State. Here’s What Politicians Don’t Understand About Me.” For the record: I don’t hate the city where I started my Ph.D. That was an error introduced in the editing process, over which I had limited control. 😉

Two Reviews

Two review-essays prompted by WVU Press’s recent reprint of Muriel Rukeyser’s 1938 poem cycle, The Book of the Deadto which I wrote an introduction…

Los Angeles Review of Books, I Wake Up Choking,” by Maggie Messitt:

The Book of the Dead is a story about race. It’s about industry. It’s about being held accountable and the right to a safe workplace. But, to me — like so many Great Depression narratives — it’s about wealth and power and the ways in which that has trumped humanity and justice across time.

The Paris Review, Muriel Rukeyser, Mother of Everyone” by Sam Huber:

We often lament our porosity to the world’s data as a uniquely contemporary curse. Rukeyser imagines it instead as a capacity we might cultivate, no easier for having been attempted before by others like her, from whom we are lucky to learn, and by many more who will not be preserved or restored. So often in her poems, Rukeyser is both student and teacher.

Politico

My agent shouted out my forthcoming books in Politico Magazine the other day, in a story on how the Trump victory impacted publishing:

Meredith Kaffel Simonoff, an agent at DeFiore and Company, said the election encouraged her to take tales from Trump country more seriously. She recently sold to Random House a nonfiction piece set in Appalachia by West Virginia essayist Catherine Moore. The book tracks the history of the region from “the violent West Virginia Mine Wars and the Battle of Blair Mountain in 1921, up to the politics of today.” She has also contracted a second book by Moore of “literary creative non-fiction essays” centered around Appalachia.

Read more…

Taylor Books Reading March 1

Wrapping up a series of readings for the re-issue of Muriel Rukeyser’s poem collection, The Book of the Dead, by West Virginia University Press. One more chance to catch a reading here in the region, and this one should be pretty special. I’ll be joined by several descendants of Hawks Nest Tunnel silicosis victims, who will read from Rukeyser’s work. I’ll also read a bit of my nonfiction essay that introduces the new edition of the book. March 1, 5:30-7:00 PM. Visit the event page for details.